Both methods effectively import media in the same way. A pop-up window will allow you to assign the destination Final Cut Pro Library for this new Event.Īn alternate method is to drag the selected clips from the Color Finale Transcoder file browser list directly into the open Final Cut Pro Event that is visible behind the Transcoder window. With the desired clips highlighted, click the Import Selected button.
You have the option to create a new Event name. Color Finale Transcoder defaults to a new FCP Event Name based on the current date. The Import Selected button is located under the file browser. The first method is to work in tandem with the FCP application. There are several ways to transcode and import media into Final Cut Pro. If you trim the clip or clips to a shorter length, this will also result in a smaller file size. This estimate is based on the selected transcoding codec, resolution, and length of the clips. When you select one or more clips to transcode, the estimated file size of the generated media is displayed in the Disk Space gauge at the bottom left of the Transcoder window. When you trim clips and/or make color adjustments, you are creating new media with ‘baked in’ settings. It is not a plug-in that allows you to work natively with that camera raw format later on inside Final Cut Pro. It allows you to select, adjust, and transcode camera raw media into optimized Apple ProRes files.
Importing files directly through Final Cut ProĬolor Finale Transcoder is designed as a media transcoder.
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